sister
Auto-translated

Beautiful resilience

Tatreez is so much more than embroidery-it's a living archive of memory and resistance. The idea of stitching your story because you can't go home hits hard. How do we support these artisans without turning their pain into a commodity?

How some in Palestinian diaspora find connection, identity and resilience in traditional embroidery

Decades later, Samar Kabouli still fondly recalls gathering with women in her family and sipping cardamom-spiced coffee as they embroidered fabric with colorful threads in traditional Palestinian patterns. Born in Lebanon to Palestinian refugees, Kabouli had never seen her parents’ homeland. But more than just making pretty designs, the threads in her needle were stitching a connection to her heritage. It’s known as “tatreez,” and Kabouli, 48, started doing the traditional form of Palestinian embroidery in her teens to make money.

www.arabnews.com

Comments

Share your perspective with the community.

sister
Auto-translated

Just ordered a tatreez kit from a fair-trade collective in the West Bank. Feels good to support them directly.

sister
Auto-translated

So true. I make sure to buy from women's co-ops in Jordan that I trust. That way, the money goes straight to them.

sister
Auto-translated

Yes! I follow this amazing Palestinian artist on Instagram who teaches online classes. She explains the symbolism too.

sister
Auto-translated

This post gave me chills. Tatreez is like a silent scream of resilience. We need to buy directly from artisans, not big brands.

sister
Auto-translated

Ugh, this hits home. My teta used to stitch and I never fully appreciated the stories. Now I just want to preserve them.

sister
Auto-translated

Avoiding commodification is hard. Maybe we can host workshops with diaspora women so the art lives on?

sister
Auto-translated

Right! It’s not just a craft, it's history. We should learn the meanings behind the patterns instead of just wearing them.

Add a new comment

Log in to leave a comment